Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Saturday, February 1, 2020

Gretel and Hansel


  

 
Gretel and Hansel
2020

Director- Oz Perkins
Cast- Sophia Lillis, Sam Leakey, Alice Krige, Jessica De Gouw, Charles Babalola
            
    In this retelling of the Brothers Grimm story, Gretel (Sophia Lillis from It) is a teenager on the verge of womanhood who must take care of her much younger brother, Hansel, after their mother, suffering from madness, throws them out.
            
     She is leading them through the woods in hopes of finding foresters that they can live with. After several days they are starving and come upon a house in the woods. A peek inside reveals a sumptuous feast but also a very menacing woman (Alice Krige, the Borg Queen herself). Gretel figures out pretty quickly that the woman is a witch. Gretel  plans to take her and her brother far away as soon as she can. However, the witch helps Gretel discover her own hidden abilities and with a taste of power, Gretel decides to stay.
            

    Gretel has the natural gift of extrasensory sight and she has disturbing visions of what has happened to the other children that have stayed at the witch’s house. If she is to realize her full potential under the witch’s tutelage, she may have to do something horrible.
            
     The film was directed by Oz Perkins (son of Anthony Perkins). You may be familiar with his other horror films; I Am the Pretty Thing That Lives in the House and TheBlackcoat’s Daughter. If you are, then you know that his films can be very grim. It has very dark, sometimes disturbing, visuals. It treats the subject of witchcraft somberly and without any sensationalism.
    

    I only have two complaints about the film. The first is that it was too short (under 90 minutes). It feels like some important things were left on the editing room floor. The film makes a point, several times, to comment on Gretel’s impending womanhood (it reminded me of The Company of Wolves in that regard). But despite making a point to make us ware of that, that theme doesn’t seem to go anywhere. Also, despite being a very dark movie, the ending seemed incongruously upbeat.
           
     Still, it’s a great looking movie with a nice musical score. It’s a minimalist film with a very small cast and basically one set (the film was made for “only” $5 million which is nothing in Hollywood terms).  Sophia Lillis, as the main star, does a good job. I really hope she decides to stick with horror as a career.
          
      Watch it if you like folk horror or dark fantasy.
 








Thursday, December 12, 2019

Santa Claus (Santa Claus vs. the Devil)


  

  

Santa Claus (Santa Claus vs. the Devil)
1959
Director- René Cardona
Cast- José Elías Moreno, Cesáreo Quezadas, José Luis Aguirre, Armando Arriola, Lupita Quezadas, Antonio Díaz Conde, Ángel Di Stefani
From Mexico
            
     Santa Claus, rather than living in the North Pole, lives is a floating castle in space.  From there, with an international cadre of children from around the world, he makes toys. The children are all dressed in their culturally appropriate (some might stereotypical) attire with the Japanese kids wearing kimonos, the Mexican kids wearing sombreros etc.
            
     Satan, meanwhile, wants to show the world that he is its master and wants to use Christmas time to do it. He orders one of his minions, a lesser devil named Pitch, to ascend to Earth and tempt all of the children into Evil. His punishment for failure is that he has to eat ice cold chocolate ice cream, and this scares Pitch pretty bad as he seems to have some kind of digestive disorder.  Pitch begs for mercy “by the horns of everything Satanic”. With the command “Demons of Hades, transport me to Earth,” he teleports from Hell to begin his mission.
            

     Pitch initially doesn’t have a hard time as the Christmas season naturally brings out avarice. He immediately turns 3 rude brothers against Santa. Through some kind of sympathetic magic, by throwing rocks at a fake Santa they actually hurt the real Santa. Old St. Nick says that he could make short work of the Devil, but he can only descend to Earth one night a year. Santa plans to use the good children as his proxys in the war against Evil and uses his sophisticated intelligence gathering machines to locate good children. One machine has a prehensile eyeball on the end of a wire; another is a large ear on a satellite dish; one has a large red mouth like a sex doll.
         

   
   He locates the virtuous Lupita, who really wants a doll, any doll, for Christmas, but is very poor. Pitch tempts her to steal the doll, but to no avail. Santa uses his “Dreamscope” to peer into the unconscious mind of Billy, a rich boy, who only dreams of having the love of his parents.  Ever the voyeur, Santa decides to peep into Lupita’s dreams as well. Pitch is influencing her by making her dream of creepy life size rag dolls that dance around and tell her to steal. Santa’s voyeurism backfires when he spies on the 3 rude boys as they are talking about how old Santa is. Santa declares that he is much younger than the Devil, only that he has been sick lately.
            
      Of course even with the War on Evil underway, Santa still has a job to do and is inundated with letters from kids (which come via an airway that blows them up from Earth). One kid is after my own heart and asks for “a toy automobile, a submarine, a football, a bat, roller skates, a scooter, a cannon, a bicycle, an atomic laboratory, a machine gun.” The kid’s got some wild holiday plans!
           

     Santa is aided in his work by Merlin the Magician who has a lab in Santa’s palace. He concocts the magic potions that allow Santa to disappear and make children sleep. I guess today they would just use Ambien. Merlin seems a bit absent minded and it’s a wonder that he can concoct anything. He is also aided by the Roman god Vulcan, who constructs a key for Santa that will open any door. You know, when you think about it, the ability to get into any house and make children sleep is the kind of thing that would get you placed on a watch list today, one of those lists where you have a sign in your front yard and you can’t be within 100 yards of a school.
           
    Well, Christmas Eve arrives and Santa’s international coalition of children loads up his interstellar sleigh. Despite the fact that his mechanical reindeer can traverse the vacuum of space, they have to return by dawn because sunlight turns them into dust, because, sure, why not.
           

     Back on Earth, the three hooligans are still plotting against Santa. They plan to ambush him, take the toys, and make Santa their slave! These are some bad kids. Lupita is starting to think that Santa doesn’t like her as she always asks for the doll but never gets it.
       
      Pitch tries to prevent Santa from entering a house by moving the chimney (???) but it doesn’t faze Santa as he has a magic parasol to help him drop safely off the roof where he can enter the house in a more conventional way. Foiled, Pitch shifts fire to the next house where he tries different tactics but Santa outsmarts him again and humiliates Pitch by shooting him in the butt with a toy cannon.
            

       Santa stops at little Billy’s house. Billy is all alone because his parents are out at a fancy restaurant. But no worries, Santa shows up dressed as a waiter and gives his parents special drinks that make them remember that their child is at home (which is kind of depressing).
           
     Pitch and the 3 hooligans are still hoping to thwart Santa and they camp out on a roof top. They are having no luck with Santa so Pitch makes the children turn on each other and fight, much to his delight. He keeps a look out, and while Santa is in a home, Pitch tries to steal Santa’s sleigh! The robot reindeer won’t answer to his command so Pitch satisfies himself by sabotaging Santa’s magical gear.
            
      Pitch sics a vicious dog on Santa, and without his magical gear, Santa has no choice but to escape up a tree. Pitch then visits the locals in their sleep, telling them that Santa is a murderer and that they should arm themselves and kill him! Stuck up a tree with armed villagers, the police and fire department all converging on his location.  Surely Santa is doomed.
     

     Thankfully, Merlin pulls his fat out of the fire by advising Santa to use a toy cat from his bag to distract the dog. Santa escapes just before the cops arrive, but with the dawn quickly approaching, he still has one more stop.  Lupita has just about given up hope, but she gets her doll and Santa returns to his space castle!
           
     This movie is just as bizarre as it sounds. To its credit, despite all of the disparate elements crammed together into 94 minutes, it doesn’t come across like some disjointed hallucinatory William Burroughs novel. Christmas is a rather strange holiday. Christian mythology, pagan imagery, folk lore and greedy commercialism combine with messages of morality and spiritualism to create this bizarre annual amalgamation of traditions and religion. This movie does the same thing in a very fun, unself-conscious way. The plot is less like a movie script and more like a story being told by a child that is making it up as they go.
            

     Despite the bright lights and shiny wrapping paper, Christmas always has a dark side, at least for children. Guilt and shame over being naughty, combined the with the fear of being caught lend a somber morality to the holiday that only children can understand. What better way to portray that than with an actual devil walking among the children, tempting them toward their doom.
             
     This was directed by the same man that gave us Wrestling Women vs. the Aztec Mummy so that should tell you something. Highly recommended for anyone wanting a unique experience.

BONUS- If you are looking for more sinister stories of children being tempted by Evil, check out these two Disney films, Something Wicked this Way Comes and The Devil and Max Devlin.





 


Tuesday, November 12, 2019

Errementari: The Blacksmith and the Devil




 
Errementari: The Blacksmith and the Devil
2017
Director- Paul Urkijo Alijo
Cast- Kandido Uranga, Uma Bracaglia, Eneko Sagardoy, Ramón Aguirre, Josean Bengoetxea, Gotzon Sanchez, Aitor Urcelai, Maite Bastos
From Spain
            
    A fairy tale from the Basque Country in Spain, it was produced by Alex de Iglesia who directed El Dia de Bestia. This is a true fairy tale complete with the imagery, tone, morality, and folklore of a Brothers Grimm tale.
            
    The fairy tale was often the horror story of its day. One of the things I like about fairy tales is that the evil is always tangible. It’s not an abstract concept; it’s a real person in a real place. The evil isn’t some malleable, culturally relative idea. It’s always evil. The witch from Hansel and Grettle is a child stealing cannibal. No amount of sensitivity or retrospection is going to change our mind about her.
           
    A little girl with a burned face is a bit of an outcast in her town. She is an orphan who has been taunted her whole life, being told that her mother is in Hell for committing suicide. Out in the forest is a reclusive blacksmith whose temperament is so cruel, it drove his wife to suicide. Of course, the blacksmith isn’t entirely alone. He keeps, locked up in a cage, a demon from Hell. The little girl stumbles onto this along with a group of townspeople who believe that the blacksmith keeps a horde of gold hidden away.
            
    The demons and devils of this film look fantastic. Especially nice is a trip to Hell, complete with a parade of sinners, tormented by demons, pouring through its gates. The movie has a medieval esthetic evoking Gustav Dore and Hieronymous Bosch. There is a minimum of CGI, relying on realistic looking make-up and prosthetics.
            
     More than its look, the film is charming like a fairy tale. It is spirited and takes chances. This is the first feature length film for director Paul Urkijo Alijoa and it has that spark and ingenuity that you only see in young directors that have that burning desire to tell stories. A beautiful film and I highly recommend it.




Monday, October 28, 2019

The Devil's Wedding Night





The Devil’s Wedding Night (Full Moon of the Virgins, Il plenilunio delle vergini)
1973
Director- Luigi Batzella, Joe D'Amato
From Italy
Cast- Mark Damon, Rosalba Neri, Esmeralda Barro, Xiro Papas, Enza Sbordone
            
    I have to confess, I came across this movie by accident by way of Elvira’s Movie Macabre, which is fine by me. If I had my way, all B movies would be hosted by Elvira. And make no mistake, this is a B movie. Its super confusing sometimes but this movie stands out not because it is well put together but because it is so original. It definitely wasn’t written by formulaic studio executives cashing in on tried and true tropes.
            
     Franz (long time Hollywood veteran, Mark Damon) is a scholar in search of the fabled Ring of the Nibelung (yes the same Ring that is at the center of the Wagner operas, bet you weren’t expecting that!) So he sets out on a quest for Castle Dracula in Transylvania where his research has told him that it has ended up. Franz is familiar with the region’s vampiric reputation so he takes some protection. Does he take a cross? No, he takes an amulet of the demon Pazuzu (yes, that Pazuzu, the antagonist of The Exorcist).
            
    Franz arrives to find he is on the eve of a night that the local villagers fear, The Night of the Virgin moon, a night that occurs once every 50 years. On that night, virgin girls disappear to who knows what end. Franz goes to the castle and rather than finding Dracula, he finds a beautiful countess and her exotic servant girl. The Countess seduces him and turns out to be a vampire herself. She turns him into one too and at this point the movie goes a little off the rails with some vaguely psychedelic montage that does include some hot Elizabeth Bathory-esque imagery.
            

    Did I mention that Franz has a twin brother? Taking a page from Twins of Evil, Franz’s brother shows up (also played by Damon). The Countess uses her magic Ring to summon up some hot virgins, invokes various Lords of Hell, and has herself a Black Mass with lots of nudity and virgin sacrifice, all for the purpose of enabling the dear departed Dracula to inhabit Franz’s body. His brother of course tries to foil this scheme.
           
    The movie feels like the product of loving fans, the same kind that write fan fiction where Superman fights Galactus or Indiana Jones teams up with Hellboy. I mean, in one movie we get Norse mythology, Pazuzu, Dracula, and Satanism all with a heavy Hammer influence and generous helpings of nudity. If only more movies were this gutsy (crazy?)
  



Monday, October 21, 2019

Hellboy (2004,2019)



Hellboy
2004
Director- Guillermo del Toro
Cast- Ron Perlman, John Hurt, Selma Blair, Doug Jones, David Hyde Pierce, Karel Roden, Rupert Evans, Bridget Hodson, Jeffrey Tambor
           
     I went back and forth on how to classify this film.  It isn’t really horror but it’s also not obviously something else. It’s sort of an action film. Despite its title it doesn’t fit into the typical God vs. Satan mythology. But then again it doesn’t fit into anything. Or really it fits into a lot of things all at once. Mike Mignola’s signature comic combines a heavy dose of Lovecraft, liberally sprinkled with folklore and mythology from all over the world and filters it through Christian and gothic imagery. It’s this improbable mixture (along with Mignola’s art) that has made the comic so endearing.
          
      If you’re not familiar with it, the plot of the movie (which is reasonably close to the comic) goes like this. The Mad Monk himself, Rasputin, teams up with Nazi’s to unleash some Lovecraftian god frozen in space, and in the process, lets loose a baby demon who is then raised by a parapsychologist to be a weapon against the evil supernatural forces around the world. Teamed up with him are a pyrokinetic and a blue Creature from the Black Lagoon. Yeah, it may not sound like it works but it does.
      
    
    I give the movie a B+. It succumbs to Hollywoodisms with silly stunts, an unneeded schmuck  character for a narrative device and the unfortunate decision to turn the creepy Karl Kroenen into a robot ninja. Despite all this, it keeps the spirit of the comic and is pretty spot on with its visual translation of the characters from comic to film. The main attraction of course is Ron Perlman as Hellboy. He looks great and the look is achieved through old school makeup and not a bunch of distracting CGI.
           
     A sequel was made a few years later, The Golden Army. Although it was a more successful movie, it veers too far away from the dark creepiness of the comic and feels more like Hellboy meets Tolkein. The reboot, although financially a flop, was more enjoyable.



Hellboy
2019
Director- Neil Marshall
Cast- David Harbour, Milla Jovovich, Ian McShane, Sasha Lane, Daniel Dae Kim, Thomas Haden Church
     
      This movie has a lot going for it. One could easily say it’s a genre fan’s dream. David Harbour (Stranger Things) dons the horns this time. His nemesis is Mila Jovovich (Fifth Element, Resident Evil) with Ian McShane (Deadwood, John Wick) in support. The whole thing is over seen by Neil Marhsall (Dog Soldiers, Doomsday). What it didn’t have was Ron Perlman, and that was just a bridge too far for most fans it seems. Many fans hated the film 6 months before they saw it (like the similarly doomed Solo: A Star Wars Story, and like with Solo, they seemed to go out of their way to torpedo it on social media.)
           
    I never could understand this reaction. The studio offered the job to Ron and he turned it down. Also, it had been 15 years since the first Hellboy film. One can hardly blame him for moving on. But alas, such is the fickle nature of the modern fan. God help whoever is eventually picked to replace Hugh Jackman as Wolverine. That poor sap will probably never know what hit him.
            

     As for Mila, can we all just acknowledge that she is immortal? It’s been over 20 years since Fifth Element and she is still astonishingly beautiful.
            
    As for the movie itself, in this installment, Hellboy and his crew are fighting a thousand year old witch (Jovovich) who is trying to summon an army of demons. If you’ve seen Doomsday, you are familiar with what Marshall can do in terms of mixing genre elements. This film crams lucha libre wrestling, vampires, a lycanthrope, demons, giants, Baba Yaga, ectoplasmic spirit channeling, Nazis, Merlin and King Arthur and a ton of gore into 2 hours. I thought it was a wild, fun film and well worth the price of admission. The film got decent reviews from fans who saw it, but too many fans, through misplaced loyalty, just avoided it.
            
     If you’re not married to the idea that Ron has to be Hellboy, this film will give you everything you could want. If on the other hand, you can’t stomach the idea of passing the torch, best just leave the movie alone as it will no doubt drive up your blood pressure.
 
 

Thursday, September 19, 2019

Something Wicked This Way Comes





Something Wicked This Way Comes
1983
Director- Jack Clayton
Cast- Vidal Peterson, Shawn Carson, Jason Robards, Jonathan Pryce, Royal Dano, Mary Grace Canfield, Diane Ladd, Pam Grier, Angelo Rossitto
      
      This movie, adapted for the screen by Ray Bradbury from his own book is surprisingly dark for a Disney film. The 2000s saw a big push to market kid friendly fantasy films, motivated mainly by the success of the Harry Potter franchise, but the 1980s saw several good fantasy films that were superficially aimed at kids but were also very mature and dark. Labyrinth, The Dark Crystal, The Black Cauldron and Time Bandits are probably the best examples. Something Wicked this Way Comes isn’t as good as those films (probably owing to problems in its production) but is definitely darker than those other films and has some scary memorable moments.
         
    It centers on two young boys, Will Holloway and Jim Nightshade (how’s that for a name). Jim’s father left him years ago and Will’s father (played by Jason Robards) is much too old to be a young boy’s father. They are best friends and do everything together. One dark October night a carnival comes to town led by the evil Mr. Dark (played by a young Jonathan Pryce, who would have many villainous roles later in life, most recently as the High Sparrow in Game of Thrones). The carnival lures people in and transforms them by granting their deepest wishes (often rather ironically).  Will’s father, who is the town librarian, discovers the carnival has been to the town before, many years ago, and tragedy followed its visit.
          
    Mr. Dark is an obvious Satanic figure and the analogy is spelled out in the movie. “It seems they destroy people by granting their dearest wishes, as has been the way of the Devil, since God created the world.” Mr. Dark has a band of followers as well; the exotic Dust Witch (played by the beautiful Pam Grier), Mr. Cooger, who is made younger or older by a magical carousel so that he can wreak havoc, a little person (played by Angelo Rossitto who you may recognize as the smaller half of Master Blaster in Mad Max Beyond Thunderdome )and others. The carnival travels the world, feeding off of people’s misery and their unfulfilled desires.
           
   The story plays on two themes. First is the pervasive nature of evil as it is able to get a foothold in so many people through their unfulfilled desires. Second is the eternal nature of evil shown in the fact that carnival has been around so long and continues to return. The film is not a deep meditation on evil, but it is a surprising one.
 
 




Tuesday, August 6, 2019

The Witches


The Witches
1990
Director- Nicolas Roeg
Cast- Anjelica Huston, Jasen Lee Fisher, Mai Zetterling, Rowan Atkinson, Jane Horrocks, Charlie Potter, Anne Lambton, Angelique Rockas, Bill Paterson
            



   This is less of a horror story and more of a fairy tale in the classic sense of the word, with all the sinister undertones. If you have any doubt, the movie begins with the abduction ,and death by witchcraft, of a young girl.
            Luke is a young boy living with his grandmother (because his parents die at the start of the film). His grandmother, having had a close call with a witch as a child, has tried to educate him on the various warning signs to spot a witch. As luck would have it, the information comes in real handy when Luke and granny end up staying in a hotel where all the witches of England have gathered for a convention.
            The Grand High Witch (Angelica Huston) has created a potion that turns people into mice and she has hatched a scheme to turn all of the children of England into mice. We never find out specifically why, but witches really hate children. They scream with almost carnal delight at one point when they turn a kid into a mouse. Luke stumbles upon their scheme and is also transformed. He works with his grandmother to foil the witches’ plot.
            The movie is dark but not particularly scary, though probably a child would find it scary. It was produced by Jim Henson, and he personally worked on it, and follows in the same vein of his earlier works, The Dark Crystal and Labyrinth.  It was one of the last hurrahs for practical special effects before films like Jurassic Park would convert these genres to mostly CGI. The witches look really hideous and the mouse effects will leave you wondering which scenes used a real mouse and which didn’t.
            The film also served as a swan song I guess. This was Jim Henson’s last film and he died the same year it came out. The movie was based on the book of the same name by Roald Dahl, who also died that same year. You may not know Dahl’s name but you definitely know his works. He wrote James and the Giant Peach and Charlie and the Chocolate Factory among others.






Thursday, August 1, 2019

Legend


Legend
1985
Director- Ridley Scott
Cast- Tim Curry, Tom Cruise, Mia Sara, David Bennent, Alice Playten, Billy Barty, Cork Hubbert, Peter O'Farrell, Kiran Shah, Annabelle Lanyon, Tina Martin, Robert Picardo

           
There are  quite a few fantasy films that prominently feature demons, devils or witches. Most though, do so outside the context of Christian mythology, usually in a mythical land with its own pantheon. Legend certainly doesn’t have any obvious Christian symbolism and there are no witch hunters or inquisitions. It does have some religious language, but it also has one thing that helps it create a bridge between fantasy and horror, creating a unique, memorable dark fantasy;Tim Curry’s Darkness. Not only is it one of the greatest, maybe the greatest, make-up job in all of cinema, he is the archetypal Devil. He’s not just the Devil, he’s every image of the Devil you’ve ever seen, boiled down, distilled and perfected.
            The story is a simple one. Darkness, in an effort to eliminate any forces for good that might oppose him, wants to kill the last remaining unicorns. Princess Lily (Mia Sara) is a good hearted girl (if not naive and a little spoiled) who gets caught up in the plot and captured by the forces of evil. Her rescuer is Jack (Tom Cruise in an early role), the quintessential hero, aided by a group of gnomes and fairies.
            Legend is one of the darkest fantasy films you are likely to see. Not only is its subject dark (the seduction and eventual corruption of innocence), its imagery is dark. The make-up and costumes have an archetypal feel. The characters look strangely familiar, like a vague memory from a picture book you had as a child.
            As stated earlier though, the real centerpiece of the film is Tim Curry. How is this possibly the man who played Dr. Frank N. Furter? The make-up job is stupendous, but Curry comes through the prosthetics. His facial expressions, his body language, drip with malice. Curry’s baritone vocal performance helps seal the deal.
            The director’s cut of the film is not only longer than the theatrical version, but is re-edited in places. I prefer the director’s cut, but both versions should be readily available as they are usually sold together. If you want a movie that will stimulate the intellectual adult in you, and frighten the child in you (or any real children who happen to watch it), Legend is a fun, dark, return to an earlier type of storytelling.





Friday, July 26, 2019

Seventh Son


Seventh Son
2015
Director- Sergei Bodrov
Cast- Jeff Bridges, Ben Barnes, Ben Barnes, Alicia Vikander, Julianne Moore, Antje Traue, Olivia Williams, Djimon Hounsou, Kandyse McClure, Kit Harington, Jason Scott Lee

           
This fantasy tale gives us the classic opposites attract story. Julianne Moore plays a powerful witch bent on spreading evil. Jeff Bridges is the last of an order of witch hunters trying to stop her. In the middle is the witch hunter’s apprentice (Ben Barnes) who is in love with a half-witch (Alicia Vikander). As the witch hunters venture toward their final confrontation, they must fight the witch queen’s various servants, All the while, the star crossed lovers carry on their tryst.
            Though the plot is predictable, the film has some good looking monsters. The special effects were pretty good for its time. Genre fans will find many favorites in the cast; Alicia Vikander played Laura Croft in the 2018 Tomb Raider; Bens Barnes was in several of the Narnia films; Antje Traue (Man of Steel),Jason Scott Lee (Dragon: the Bruce Lee Story), Djimon Hounsou (Captain Marvel, Guardians of the Galaxy) and Kandyse McClure (Battlestar Galactica) all play witches. Game of Thrones fans will of course, recognize Kit Harrington as the apprentice’s doomed predecessor.
            Though a decent film it was doomed in post-production Hell. Filming began in early 2012, but it wasn’t released until 2015. This was due to a series of unfortunate events involving the bankruptcies and failed business deals of various companies involved in the film. By the time it finally saw the light of day, it was rather anti-climactic and I think fan interest had moved on.