Monday, July 26, 2021

The Hexecutioners

 

 

The Hexecutioners

2015

Director- Jesse Thomas Cook

Cast- Liv Collins, Sarah Power, Timothy Burd, Tony Burgess

            So right off the bat lets acknowledge that Hexecutioners is not a very good name. Sounds like the title of a GWAR song. Now that that’s out of the way we can talk about the movie which is actually pretty original.

 


            The film operates under the premise that euthanasia is now legal across the land. Malison (Liv Collins) is a lowly technician who gets dispatched to carry out the life ending procedures.  She had aspirations that it would be a dignified way to end people’s suffering but she soon runs into the degrading realities of profitable death. Her bosses are less concerned with dignity than the bottom line.

            To cure her of her naiveté, she is paired with Oliva (Sarah Power), a cynical technician who isn’t above skipping the niceties and ending her client’s lives with a bullet to the head.

 

   

            They are sent out to the country to take care of a special client; a millionaire who has paid a hefty sum to have his death carried out in a very specific manner. The client, horribly disfigured, seems to be almost catatonic. Their only other human contact is Edgar (Timothy Burd), the lone care taker and servant. The women find that they have been lured into a house haunted by cursed spirits and they are now unwilling participants in an elaborate occult ritual.

            Hexecutioners is a character driven story that focuses on the personalities of the two women and their relationship. It has a small cast which allows for plenty of character development. It’s a competent horror film that seems informed in regards to its occult elements. There’s no attempt at a happy ending so don’t expect one.

  






Thursday, June 17, 2021

The Devil Rides Out

  

 

The Devil Rides Out

1968

Director- Terrence Fisher

Cast- Christopher Lee, Charles Gray, Nike Arrighi, Leon Greene, Patrick Mower, Sarah Lawson, Paul Eddington

            With absolutely no amount of hyperbole I can say that this is one of the best occult movies ever made. The Devil Rides Out (billed as The Devi’s Bride in the U.S.) is intelligent and suspenseful. It takes the subject of magic seriously and seems well informed. Despite centering around a Satanic cult it never detours into the lurid or sensationalistic. In short, like The Ninth Gate, this is an occult movie for the thinking person. But don’t think it’s dry or slow. It moves at a good pace, keeps the viewer’s attention and has memorable imagery. This is a horror classic brought to you by Hammer, the masters of horror.

            Two old friends (Christopher Lee and Leon Greene) discover that the son of a dead friend has gotten himself involved with a Satanic cult led by a powerful magus (played wonderfully by Charles Gray). Conflict ensues when they try to prevent their young friend from going through with his Satanic baptism.

 


 


            Most folks would say that Dracula was Christopher Lee’s best role but I think it was this. He plays the Duke de Richleau, an aristocrat with no small amount of occult knowledge, kind of like an upper class John Constantine. Lee looks rather satanic himself with his goatee but he goes against type as the hero. He is so charismatic and intense that you can’t take your eyes off of him.

            Charles Gray’s portrayal of the cult leader is strong. He is obviously an Aleister Crowley figure but plays it very dapper. He pushes the evil to almost Bond-villain levels but doesn’t make it cartoonish. He seems to be smiling to himself no matter what horror is occurring. At one point, after being rebuffed by a family guarding an escapee from his cult, he says, quite charmingly “I shall not return. But something will. Tonight.”

 


        


    

    Nike Arrighi is also good as the young girl caught up in the cult. She is a sympathetic character who seems to have resigned herself to the eventual loss of her soul. She had a small appearance in another Hammer film, Countess Dracula.

            The film is based on the 1934 novel of the same name, by Dennis Wheatley. Though Wheatley wrote a lot of spy novels he was also very knowledgeable of the occult. His book, The Devil and All His Works is an excellent survey of occult lore through the ages. No less than three of Wheatley’s novels became Hammer films including the similarly themed To the Devil a Daughter (which also starred Lee but as the villain). The other, Uncharted Seas, was filmed by Hammer as The Lost Continent.

 


            If you want an intense, well-crafted thriller then you’ll enjoy The Devil Rides Out. Its imagery will stick with you. Two moments in particular stand out. The first is the summoning of the Devil, which appears as a goat headed man presiding over a cult of worshipers.  The other is the appearance of the Angel of Death as a black knight on a winged horse. It’s a good companion piece to another British occult thriller, Night of the DemonOf interest to metal fans, the film's poster was the inspiration for the album cover for Witchcult Today, by the English band, Electric Wizard.


 









Thursday, September 10, 2020

The Babysitter: Killer Queen

 



The Babysitter: Killer Queen

2020

Director- McG

Cast- Judah Lewis, Emily Alyn Lind, Jenna Ortega, Robbie Amell, King Bach, Bella Thorne, Hana Mae Lee, Ken Marino, Leslie Bibb, Chris Wylde, Samara Weaving

            If you haven’t seen The Babysitter, you’re in luck because it’s still on Netflix.  If you haven’t seen it, you totally need to see it before seeing this sequel as this is a true sequel and won’t be nearly as enjoyable if you’re not up to speed. (If you’re interested a review is here).

           


      In the first movie, we meet Cole, a dooffus kid with a crush on his super-hot but way too much older babysitter (Samara Weaving). Unfortunately, she was the head of a murderous satanic cult who planned to use him as a sacrifice to the Dark Lord. Cole spent that movie fighting off, and gruesomely killing, all of the members of the cult in a kind of Home Alone meets Helter Skelter.

            Now, two years have passed. No one believes Cole about what happened and he goes through high school being ridiculed. His only sense of comfort comes from Melanie, his age appropriate crush from the first film (you’ll recognize Emily Alyn Lind from her wonderful performance as Snakebite Andi in Dr. Sleep). Cole is trying to move on with his life but the cultists from the first movie are back. They have been reanimated by the powers of darkness and now have another chance to take a shot at Cole.  The X-factor in all of this is Phoebe, the new girl in school, who rumor has it, killed her parents. Will she be an ally or another agent of evil?

           


     If the Babysitter was a dark comedy, then Killer Queen is an absurd comedy. The gore is even more outrageous and its full of silliness that lets you know not to take it seriously in the least. It’s not as clever or original as the first, but isn’t that always the way of sequels? But what it lacks in cleverness it makes up with in farce.

            Kudos to the makers of this film for bringing back the entire cast of the first movie. It feels like a fun reunion. Like with the first film, if you are looking for chills, move on. This is a parody. If you want something funny and gory, then check it out.

     

       




Thursday, August 27, 2020

The Howling 2: Your Sister is a Werewolf

  



The Howling 2: Your Sister is a Werewolf
1985

Director- Phillippe Mora
Cast- Christopher Lee, Sybil Danning, Annie McEnroe, Reb Brown, Marsha Hunt
            
     Howling 2 is nominally a werewolf movie in that it has werewolves. It also has an ancient cult (pack?) led by a sorceress queen, a gargoyle bat, an undead dwarf and so much weird stuff that it’s just barely a werewolf movie.
            

     

     The story begins with a quote from Revelations (read by Christopher Lee) about The Whore of Babylon, an allusion to the movies chief antagonist , Stirba (Sybil Danning) the queen of the earth’s werewolves. A type of werewolf apocalypse is coming. We don’t know what this means other than “all werewolves will reveal themselves”, but it must not be good.

Their queen, Stirba, is about to have her 10,000th birthday and they are apparently throwing a big werewolf party to usher in the new age. Stirba is a type of Elizabeth Bathory character. She appears as an old crone, but after the sacrifice of a young girl, she transforms into the super-hot Sybil Danning.

Christopher Lee is an occult investigator who has an extensive knowledge of werewolves. He leads a team to Eastern Europe to destroy Stirba and her werewolf cult. He has to confront much more than the standard werewolf problems. Stirba has the forces of darkness at her command. She can cast spells, perform mind control, and summon a gargoyle.
           
     The original Howling is at least one of the 3 best werewolf movies of all time. It was really scary and had revolutionary werewolf designs. The Howling 2, on the other hand, probably wouldn’t make anyone’s werewolf top10 list. It was generally panned by critics, but what do they know? If the film hadn’t been called “The Howling 2” it probably would have been better received. Much like Halloween 3, it has been maligned for its departure from its source material. The Howling franchise was long and varied and none of the other volumes lived up to the original. At least part 2 tries to do something different and fun.
           

     

     The only area where the movie is really lacking is in its werewolf designs. Most of the werewolves look like either extra-hairy cavemen or at best extra-angry Sasquatches. There are a few really good designs though. Veteran genre actor Freddy Mayne has a small role as an elderly werewolf and they did a really good job of capturing what an old werewolf looks like. Sybil Danning never goes full wolf but spends a lot of time as a blonde hirsute she beast. She still manages to look hot despite being covered in hair.
            
     Howling 2 has a lot going for it, if you’re willing to forget that it has nothing to do with The Howling. As previously stated, it’s weird. Along with the sorcery there is a giant werewolf S&M orgy (you read that right) that seems to last for half of the film. Sybil, in her main costume (a sexy leather and brass design), looks like the lead singer of an 80s glam band.  It has a real frenetic energy, at times, helped by its New Wave soundtrack. The location adds a lot of authentic atmosphere. It was shot in Czechoslovakia and the real castles and villages create the atmosphere of the old Universal horror films.

The movie was obviously done with less resources that its predecessor, but it’s one of the best vehicles for Sybil Danning I’ve ever seen. She and Christopher Lee have so much charisma, they make up for a lot of the movie’s shortcomings. Christopher Lee hated the movie, probably because he was expecting something more like the first film, but he still turns in a good performance and is entertaining.

Watch the movie if you want something crazy weird or if you just like Sybil Danning.
           
Fun fact- This movie has a special Hammer films connection. Not only does it star Christopher Lee himself, it also stars Marsh Hunt as Mariana, an up and coming werewolf in Stirba’s cult. Marsha is probably better known for her role as Gaynor in Dracula 1972 A.D. (which also starred Lee).
 






 









Wednesday, August 5, 2020

Veronica





Veronica
2017

Director- Paco Plaza
Cast- Sandra Escacena, Bruna González, Claudia Placer, Iván Chavero, Ana Torrent, Sonia Almarcha, Maru Valduvielso, Leticia Dolera, Ángela Fabián, Carla Sampra
From Spain
           
     If you are a fan of Spanish horror, the first thing you’ll likely notice is how serious this film is compared to other Spanish horror films. Paul Naschy’s films had an overly dramatic soap opera quality that added a sense of fun in spite of the horror. The more modern films of Álex de la Iglesia have a tongue in cheek absurd quality that takes the edge off. Veronica, on the other hand, is so serious it almost seems American.
            

     Veronica (excellently played by Sandra Escacena) is a teenage girl who is both a latchkey kid and the oldest daughter in her family. Her father is dead and her mother works nights so Veronica has the responsibility of taking care of her 3 younger siblings.
            
     She attempts a séance with a Ouija board during an eclipse. Veronica is hoping to talk with her departed father. Well, someone shows up but it isn’t her father. A demon shows up and latches itself on to Veronica. From that point on she starts experiencing all the classic signs of a haunting; strange noises, terrifying visions and the tell-tale bruises and bite marks. Worst of all, it seems like the offending spirit has set its sights on her younger siblings.
           

      Veronica goes to her mother for help but is predictably rebuffed. A creepy old nun in her Catholic girl’s school (who goes by the unflattering name, Hermana Muerte) has a pretty good idea of what kind of trouble Veronica has gotten herself into and instructs Veronica to redo the séance, but to correct mistakes she made in the original. With no one else to turn to, she seems to have little choice but to tempt fate by conjuring up the very entity that is haunting her.
            

     There are a few things that separate this film from other similar films in this sub-genre. The most obvious is that the majority of the cast are not adults. I think this adds a dimension of desperation as kids lack any real agency in the world, and as such, are particularly powerless. Another big difference is the lack of a happy ending. There is no exorcist to show up to save the day.
            
     The movie gets some of the occult elements wrong (such as using an Icelandic rune, vegvasir,  as some kind of symbol of protection). But minutiae aside it’s still a pretty intelligent occult thriller. Veronica is a compact horror film that gets to the point quickly and crams a lot of frights into a relatively straight forward story.